WALL·E (2008)

” Just needed someone to look after you, that’s all. “

Left alone on a planet, a trash compacting robot searches for meaning in an endless loop.  In a sea of meaningless nostalgia, Wall-E fantasizes about companionship and a sense of belonging.  His adventure leads him on a quest for love and to preserve hope that Earth will once again be inhabitable.  Wall-E provides a vision of a post-consumerist world, neglected and void of any responsibility.  It does this through vivid dystopian landscapes and social commentary that, at times, seems closer to reality than fiction.

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Once Upon A Time In America (1984)

When I picked up Once Upon a Time in America I had no idea what it was about and certainly no idea how long it was.  I put off starting the film for a few days and then settled in.  The film is set between the 1920’s to the 1960’s and follows the life of David “Noodles” Aaronson, a Jewish gangster who grew up during prohibition, played by De Niro.  Noodles reluctantly returns to his childhood neighborhood and reflects on a life of excitement, passion, and betrayal.  Sergio Leone’s final film features a well-crafted and driving story line, masterfully executed suspense sequences, and elegant editing and camera work.

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Founder, The (2016)

“The Founder” follows Ray Kroc, played by Michael Keaton, as he transitions from a milk shake maker salesman to ‘founding’ the biggest name in fast food.  His duplicitous behavior helped bring him riches beyond his wildest imagination, but at the cost of both business and personal relationships.  The director, John Lee Hancock, straddles the benevolent nature of big business by showcasing Kroc’s success through self-fulfilling perseverance and blatant disregard for anyone else.  His desire to maintain forward momentum left many behind him in his wake in order for one the best business models to date to flourish.  Good, wholesome, intentions overpowered by greed and pride is at the heart of this film.  Did Richard and Maurice McDonald lack the follow-through to execute a venture on this magnitude or were they just steamrolled by an ambitious cutthroat?

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Babel (2006)

“I’m not bad I just did something stupid.”

Babel‘s immersive story sends us on a trip to Morocco, Japan, Mexico, and The United States.  The plot follows four main story lines that are all linked by a .270 Winchester M70 rifle.  A husband and wife, played by Pitt and Blanchett, on vacation in Morocco, a small family in the Moroccan desert, two children and their nanny in San Diego and Mexico, and a young deaf woman in Japan.  The screenplay is seamlessly spliced between these story arcs and tracks a non-linear timeline.  Through times of violence and regret, each character is learning how to grow from their mistakes.

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Nocturnal Animals (2016)

Life and love are crafted through choices and sacrifices.  Tom Ford’s adaptation of Susan and Tony, by Austin Wright, clearly shows how choice and sacrifice have an unequivocal role in determining one’s path in life.  Merriam-Webster defines sacrifice as “an act of offering to a deity something precious; especially :  the killing of a victim on an altar.” The choice and sacrifice made on the part of Susan Morrow, played by Amy Adams, meets these criteria and dictates both her life and that of Edward Sheffield, played by Jake Gyllenhaal.

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Get Out (2017)

In an attempt to not spoil this movie I have my review in two sections.  The top section is more of a general response to the film and below that is a section where I dig into more specifics about the film that I want to unwind.  So do not read the whole thing if you want to avoid spoilers.

Jordan Peele’s Get Out is a psychological thriller that keeps you on your toes and unsure of where the characters stand the whole way through.  The story follows Chris, played by Daniel Kaluuya, and his girlfriend Rose, played by Allison Williams, as they visit her family in upstate New York.  No more information is needed.  Peele succeeds in taking the viewer on a comedic, thrilling, and satisfying ride.

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Hell or High Water (2016)

Hell or High Water follows two brothers, Foster and Pine, as they crusade through West Texas with a carefully crafted bank robbing system.  Tepid on their trail are the Texas Rangers, Bridges and Birmingham.  The film falls victim to a few western clichés, the robin hood story and the soon-to-be retired Ranger on board for one last hurrah, however the story has some unexpected turns and is nimble and poignant in terms of lower class society.  The film touches on several relevant themes to the current social climate, including: the banking system, race, greed, and the effects all of these have on the working class. Continue reading “Hell or High Water (2016)”

I ♡ Huckabees (2004)

I   Huckabees is a philosophical comedy that follows Albert Markovski, played by Schwartzman, as he is investigated by existential detectives, Hoffman and Tomlin.  His desire to find meaning in specific coincidences in his life inspires him to learn more about the meaning of life.  The story encompasses opposing and differing ideologies surrounding self-image and status,  the human impact on the world, and the interconnected relation-ship between everything within the universe.  The film also features a comedic performance from Wahlberg as well as Jonah Hill’s debut in the acting world. Continue reading “I ♡ Huckabees (2004)”

The Wrestler (2008)

Darren Aronofsky is a craftsman when it comes to engaging and immersive experiences.  There is a realism that his projects embody that is consistent through and through.  Everything from the script and story, the shots, the editing flow, and casting all come together to bring a unique experience for the viewer.  The Wrestler is no exception if this masterful approach to film. Continue reading “The Wrestler (2008)”