Shape of Water, The (2017)

“Unable to perceive the shape of you, I find you all around me. Your presence fills my eyes with your love. It humbles my heart, for you are everywhere.”

 

In order to understand The Shape of Water try to imagine a retro-futuristic 1960’s government bunker housing top secret assets and all orchestrated by the creative Guillermo del Toro.  Naturally, you are left with an amphibious, human-like, creature with the power to connect people in a way that the 60’s American establishment is unable to cope with.  At the height of the Cold War, and with racial tensions and intolerance at a high, there is little room for love and acceptance; except, perhaps, through the determination of the minorities and overlooked members that build the framework of society.

Florida Project, The (2017)

The Florida Project follows a group of kids living in poverty just outside Disney World.  Led by Moonee, played by Brooklynn Prince, the small group of kids explore and wreak havoc on the motel they call home.  As the children play around the motel, they reveal the poverty that surrounds a fairy-tale world, through the eyes of a child.  It inspiring how children can still find the beauty and lust for life even when the deck is stacked against them.

With the exception of Willem Dafoe, as the dedicated superintendent of the motel, every other cast member was an unknown.  The absence of recognizable faces made the experience more immersive and genuine. Sean Baker’s unique style has a grit and genuine nature that makes his films gripping from start to finish.  At least this was true of The Florida Project and Tangerine.

Lady Bird (2017)

Don’t you think maybe they are the same thing? Love and attention?

 

High school is one of those times in our lives that we never forget.  The awkward navigation of puberty, self-consciousness, and tumultuous interpersonal relationships are the baseline for what become our formative years.  Trying to figure out who we are and at the same time, keep up on school work and planning the trajectory of the next phase of our life.  This can be daunting, but Greta Gerwig was up to the task in her solo directorial debut, Lady Bird.

Lady Bird follows Christine “Lady Bird” McPherson, played by Saoirse Ronan, as she finishes up her senior year in high school.  Her combative relationship with her mother, Laurie Metcalf, causes the primary source of tension throughout the film.  The McPherson family’s low-income status reduces Lady Bird’s post high school options and is a major source of stress for her mother.  With out-of-state college out of reach, Lady Bird is forced to deal with her ambivalent feelings towards Sacramento and the lackluster prospect of city college. 

This authentic portrayal of high school life, has an honest realism that few coming of age movies ever achieve.  It has the quirks and awkwardness reminiscent of Napoleon Dynamite while still anchored in reality.

Call Me By Your Name (2017)

Call Me By Your Name follows a teenage boy, Elio, played by Timothée Chalamet, over the summer of 1983.  Elio is living with his parents in the northern Italy countryside.  His father is an archaeology professor and brings on graduate students each year to assist him in his research.  When Oliver, played by Armie Hammer, arrives at the Italian estate, Elio becomes interested in him and they soon begin to have a romantic relationship.

With all of the hype this movie received, I expected it to be a compelling and emotional love story.  However, it came across more like an inappropriate and abusive relationship.  This film is branded as a coming of age story, following an adolescent going through his first love experience.  Although, Oliver’s predatory nature makes the romantic love story seem gross.  Call Me By Your Name instead follows the story of a young kid subtly seduced by an older and more experienced man, and then manipulated into a confusing and involved relationship that is way over his head.  On top of that, there seems to be a lack of communication conveyed through the storytelling; perhaps it was the lack of chemistry that I felt from the two leads.  Their relationship seemed to escalate at a rate that did not make sense given the information we had been presented with.

If you are looking for a compelling and emotionally driven film about LGBTQ subject matter, then you should watch some more eloquently executed films like God’s Own Country or 120 Beats Per Minute.